冯健安,字美溯,艺名书剑,墨苔斋主人,生于1977年7月,广东新会人,本科学历,中共党员,美术教育工作者、优秀书画指导教师。国家一级美术师;全国书画艺术委员会副主席;香港美术家协会副主席;中国楹联学会会员;中国文化艺术发展促进会书法专业委员会研究员;北京当代翰墨文化艺术院山东青岛分院名誉副院长;国臻艺苑书画院院聘理事;人民美术艺术家委员;全国名人书画艺术界联合会委员;中宣盛世国际书画院院聘画家;中国楹联学会中宣盛世文化艺术交流中心会员;中国传统文化发展委员会会员;中外名人艺术网“特级书画师”;全国中小学书法教学联盟成员;收藏天下全国数字电视频道栏目学术指导与特邀艺术家;中学生频道《时代人物》栏目组艺术顾问。
Feng Jian’an, also known as Meisu, has a stage name of Shujian and is the owner of Moteshai. He was born in July 1977 in Xinhui, Guangdong, with a bachelor’s degree. He is a member of the Communist Party of China, an art educator, and an excellent calligraphy and painting instructor. National first-class artist; Vice Chairman of the National Calligraphy and Painting Art Committee; Vice Chairman of the Hong Kong Artists Association; Member of the Chinese Couplet Association; Researcher of the Calligraphy Professional Committee of the China Association for the Promotion of Cultural and Artistic Development; Honorary Vice President of Shandong Qingdao Branch of Beijing Contemporary Hanmo Culture and Art Academy; Director of Guozhen Art Garden Calligraphy and Painting Academy; Member of the People’s Art Artists Committee; Member of the National Federation of Celebrity Calligraphy and Painting Art Circles; Painter appointed by Zhongxuan Shengshi International Painting and Calligraphy Academy; Member of the Zhongxuan Shengshi Cultural and Art Exchange Center of the Chinese Couplet Association; Member of the Committee for the Development of Traditional Chinese Culture; Chinese and Foreign Celebrity Art Network “Super Calligrapher and Painter”; Member of the National Calligraphy Teaching Alliance for Primary and Secondary Schools; Collect academic guidance and invited artists for the National Digital TV Channel program; Art consultant for the “Times People” program group on the middle school student channel.
应物象形 随类赋彩——记著名书画家冯健安
在当代画坛，书画家冯健安的作品是一个独特的存在！他的丹青画法深师古风，但是独有借古开今的主旨经营智慧，古法不古板，笔墨当随时代！他把传统画法磨砺到炉火纯清，善用兼工带写的娴熟技法创作盛世当歌的丹青大格局。把旧式文人画意予把玩的小家子气，尽悉革除，让山水、花鸟、人物作品合成时代精神的镜像，观其画大振心颜，有磅礴之势，也有淋漓之盛，生成了当代新文人画的新面目！ 搞好绘画创作，第一要义是把造型问题解决完美。当下，有俗笔作画，笔力不足，造型不精，画出来的东西糊涂一片，法不正宗，技不精湛，却言是“表现主义”。这种不依法度而进行的了草涂抹，把东方审美重视形神兼备的美术原则抛到了九霄云外！弄出来的中国画，仅存其名，绝无其实。反观冯健安先生中国画作品，可以兼工带写，工笔写实，出神入化，精益求精，绝不含糊。写意传神，遂心应手，天质自然，游刃有余。
唯有对东方审美机理有深刻的觉悟，才可以像他这样画山水是山水，画长松是长松，画人物是人物！画出来的作品大有专业品质，并且尽显大众审美魅力，是谓雅俗共赏。陈于庙堂是正大，装饰万家屏障是文化！这正是冯健安先生的绘画作品，在专业层面有影响力，在审美层面有号召力的重要原因！
从《百折不挠》这件充满生命奇观的中国画作品里，可以深刻地体察到画家冯健安先生是一位画法有法度的实力派，还是一位充满人文情怀的艺术思想家。他的美术作品不但讲究技法的精研与精到，还特别强调作品的主旨思想和情感内涵，以令作品的形态展示出让人悦目的观感，作品的神在态涵养下让人赏心的情感体验。老树折枝逢春生，勃勃生命浩乾坤，这样的作品让艺术可以服务生活，具有雅俗共赏的文化张力。无论是谁去看、去琢磨，都可以从中寻觅到自己的生命合弦，唱响生命倔强的正能量！
（2023年4月单国强、刘雄老师评画）
