祝光鸿，浙江省建德市人，1938年8月出生，艺名：山里人。社会兼职：中国美术家协会会员、中国书法家协会会员、中国书画艺术高级美术师（家）、中国国画家协会会员、中国书画名家研究会名誉主席、中国纪实文学研究会会员、中国作家创作协会会员，中国九州枫林国际书画院院士、华夏夕阳红书画协会理事、杭州市美术家协会会员、中国国际画院院士、中国回忆录研究会终身会长、中国非物质文化艺术传承人。
1951年至1957年7月系中、小学学生。1958年参加工作，1961年5月4日参加共青团。开始走向自学文学、美术、代课、民办教师的漫长道路；1969年至1970年12月因绘画被打成“现行反革命”，回乡劳动改造。1971年1月复职，1980年12月转为公办教师，其间曾任学校业务主管、负责人、乡镇人民代表、小学校办厂长之职。一直从事教育工作，1992年4月退休，退休后一直从事书画、文学创作。创作了《新安江山水》、《山城风光》、《西湖览景》、《永康方岩全景图》、《江郎山韵图》等二十多幅大型实景国画作品，八十余幅花鸟国画作品。其中入编国家级大型画册出版发行作品52幅，国家、省、市报刊发表42幅，获金奖七幅，银奖一幅（包括诗词、格言金奖）。其中论文“党中央十七届六中全会提出建设文化强国宏伟目标是新时期全党全民的奋斗目标”入编《国学·作家·诗人名鉴》（3卷）由中国作家出版社出版，国家新华书店总店发行经销，多家主要刊物刊发，引起国家政坛重视，获金奖。
2021年1月5日荣获“首届世界汉学形象与推广工程奖”，评选为“汉学全球形象与推广大使”，同时授予“世界汉学家”荣誉称号，并特聘为“世界孔子学院终身名誉院长”，由世界汉学网和世界汉学形象与推广工程等颁发。
2021年2月24日荣获“新时代人民文艺创作奖”，并特邀入编中国文艺界题贺两会大型画册《两会专刊·人民的文艺家》，由中国人民美术协会、中国人民艺术研究会和国家文艺出版社等联合举办。
2021年3月31日荣获“达芬奇国际艺术奖”金奖，并授予“影响世界十大金牌艺术家”和“世界和平文化功勋人物”荣誉称号，由一带一路文化传播协会、意大利达芬奇艺术馆、巴黎皇家美术学院、达芬奇国际艺术奖评委会等联合颁发。
2021年5月6日入编文艺名家《大国之魂》画册，并授予“共和国艺术之魂”荣誉称号，由《大国之魂》编委会和中国红色文化书画院联合颁发。
2021年5月10日荣获“百年传承·非物质文化功勋奖”，并授予“非物质文化功勋艺术家”和“百年文艺名家”荣誉称号，由非物质文化功勋奖评委会颁发。
2021年5月15日荣获“百年伟业—文艺家爱国模范奖”，并授予“国家文艺担当”荣誉称号，由文艺家爱国模范奖评委会颁发。
2021年6月18日入选入编《金榜题名》，由北京艺联诗书画院和中国我家画院联合举办。
2021年6月25日荣获“首届国际文艺金鹰奖”，授予“世界当代杰出文艺领袖”、“世界文化艺术交流大使”荣誉称号，并入选《世界名人堂》终身成就会员，由中外文化艺术交流协会、法国大皇宫国家美术馆、联合国教科文组织、首届国际文艺金鹰奖评委会联合颁发。
2021年8月23日，授予“世界十大殿堂级艺术大师”荣誉称号，由世界文化艺术网、韩国等联合举办。
2021年8月23日荣获“人民文艺先锋”称号，并授予“共和国甲等一级文艺名家”荣誉职称，由中国艺术人物网、中国名家书画研究院等单位联合颁布。
2021年8月25日荣获“大国风采——国礼艺术家终身成就奖”，并授予“百年文艺领军人物”和“国礼艺术家”荣誉称号，由中国国礼艺术家联谊会、中国书法美术交流会、国礼谊终身成就奖组委会联合颁发。
2021年9月1日荣获“联合国和平艺术金鸽奖”，由世界和平文化宣传办、联合国和平艺术金鸽奖评会等联合颁发。
2021年9月1日荣获“世界和平艺术家·十大文艺模范”国际级荣誉称号，由艺海文化集团、中国文艺赛事组委会等颁发。
2021年9月18日入编“中国榜样·建党百年书画风去榜十大名家精品集粹”，由中国新闻出版社邀请。
2021年9月20日荣获“奥林匹克世界文化传播奖”，由奥林匹克世界文化传播奖评委会和联合国教科文组织等联合颁发。
2021年9月底荣获“联合国非遗贡献奖”，并授予“联合国非遗传承人”和“联合国非遗艺术传播大使”荣誉称号，由联合国颁发。
2021年9月29日诚邀入编《中华文艺八大家》，由世界华人艺术协会颁发。
2021年10月8日荣获“世界当代巅峰艺术家”荣誉称号，入编《情系冬奥·世界当代巅峰艺术家》。
2021年10月荣获“首届中国文艺牡丹奖”荣誉称号，由中国文化艺术大师网颁发。
Zhu Guanghong, born in August 1938 in Jiande City, Zhejiang Province, with the stage name Shanli Ren. Social part-time jobs: Member of the Chinese Artists Association, Member of the Chinese Calligraphers Association, Senior Artist of Chinese Calligraphy and Painting Art, Member of the Chinese Traditional Chinese Painters Association, Honorary Chairman of the Chinese Calligraphy and Painting Masters Research Association, Member of the Chinese Documentary Literature Research Association, Member of the Chinese Writers’ Creation Association, Academician of the Fenglin International Calligraphy and Painting Academy in Jiuzhou, China, Director of the Chinese Sunset Red Calligraphy and Painting Association, Member of the Hangzhou Artists Association, and Academician of the China International Painting Academy Lifetime President of the China Memoirs Research Association and Inheritor of China’s Intangible Culture and Art.
From 1951 to July 1957, I was a primary and secondary school student. I started working in 1958 and joined the Communist Youth League on May 4, 1961. Starting to embark on a long journey of self-learning literature, art, substitute classes, and private teachers; From 1969 to December 1970, he was labeled as a “current counter revolutionary” due to painting and returned to his hometown for labor reform. In January 1971, he resumed his job and was transferred to a public teacher in December 1980. During this time, he served as the school’s business supervisor, person in charge, township people’s representative, and primary school factory director. I have been engaged in educational work and retired in April 1992. After retirement, I have been engaged in calligraphy, painting, and literary creation. I have created more than 20 large-scale real-life Chinese painting works, including “Xin’an River Landscape”, “Mountain City Scenery”, “West Lake Scenery”, “Yongkang Fangyan Panorama”, “Jianglang Mountain Rhyme”, and more than 80 flower and bird Chinese painting works. Among them, 52 works were published and distributed in national large-scale art albums, 42 were published in national, provincial, and municipal newspapers, winning seven gold awards and one silver award (including poetry and aphorism gold awards). The paper “The magnificent goal of building a strong cultural country proposed by the Sixth Plenary Session of the 17th Central Committee of the Communist Party of China is the goal of the entire party and the whole people in the new era” was included in the “National Studies, Writers, and Poets’ Famous Mirror” (3 volumes), published by China Writers Publishing House, distributed and distributed by the National Xinhua Bookstore headquarters, and published by multiple major publications, which attracted attention from the national political arena and won a gold medal.
On January 5, 2021, he was awarded the “First World Sinology Image and Promotion Project Award” and was selected as the “Ambassador for the Global Image and Promotion of Sinology”. He was also awarded the honorary title of “World Sinologist” and was specially appointed as the “Lifetime Honorary Dean of the World Confucius Institute”. He was awarded by the World Sinology Network and the World Sinology Image and Promotion Project.
On February 24, 2021, he was awarded the “New Era People’s Literature and Art Creation Award” and was specially invited to be included in the large-scale album “Special Issue of the Two Sessions: People’s Artists” in the Chinese literary and artistic community, jointly organized by the Chinese People’s Art Association, the Chinese People’s Art Research Association, and the National Literature and Art Publishing House.
On March 31, 2021, he won the gold medal of the “Da Vinci International Art Award” and the honorary title of “Top Ten Gold Medal Artists Affecting the World” and “World Peace Culture Meritorious Figures”, jointly awarded by the the Belt and Road Cultural Communication Association, the Italian Da Vinci Art Museum, the Paris Royal Academy of Fine Arts, the da Vinci International Art Award jury, etc.
On May 6, 2021, he was included in the album of “Soul of a Great Country” by a renowned literary and artistic artist, and was awarded the honorary title of “Soul of Art of the Republic”. It was jointly awarded by the editorial board of “Soul of a Great Country” and the Chinese Red Culture Painting and Calligraphy Academy.
On May 10, 2021, he was awarded the “Centennial Inheritance · Intangible Cultural Merit Award” and was awarded the honorary titles of “Intangible Cultural Merit Artist” and “Centennial Literary and Art Master”, which were awarded by the Intangible Cultural Merit Award judging committee.
On May 15, 2021, he was awarded the “Centennial Great Achievements – Patriotic Model Award for Literary and Artists” and was awarded the honorary title of “National Literary and Artistic Responsibility”, which was awarded by the judging committee of the Patriotic Model Award for Literary and Artists.
On June 18, 2021, it was selected for inclusion in the “Golden List Title”, jointly organized by Beijing Art Union Poetry, Calligraphy, and Painting Academy and China Family Painting Academy.
On June 25, 2021, he was awarded the “First International Literary and Art Golden Eagle Award”, awarded the honorary titles of “World Contemporary Outstanding Literary and Art Leader” and “World Cultural and Art Exchange Ambassador”, and was selected as a lifelong achievement member of the “World Hall of Fame”. He was jointly awarded by the Chinese and Foreign Cultural and Art Exchange Association, the Grand Palace National Art Museum of France, the United Nations Educational, Scientific and Cultural Organization, and the Jury of the First International Literary and Art Golden Eagle Award.
On August 23, 2021, it was awarded the honorary title of “World Top Ten Hall level Art Masters”, jointly organized by World Culture and Art Network, South Korea, and others.
On August 23, 2021, it was awarded the title of “Pioneer of People’s Literature and Art” and was awarded the honorary title of “First Class Literary and Art Master of the Republic”. It was jointly issued by China Art Figure Network, China Famous Calligraphy and Painting Research Institute, and other units.
On August 25, 2021, he was awarded the “Great Country Style – Lifetime Achievement Award for National Rites Artists” and was awarded the honorary titles of “Leading Figure in Literature and Art for a Century” and “National Rites Artist”. He was jointly awarded by the China National Rites Artists Association, China Calligraphy and Art Exchange Association, and the Organizing Committee of the National Rites Artists Lifetime Achievement Award.
On September 1, 2021, it was awarded the “United Nations Peace Art Golden Pigeon Award”, jointly by the World Peace Culture Promotion Office and the United Nations Peace Art Golden Pigeon Award Evaluation Committee.
On September 1, 2021, it was awarded the international level honorary title of “World Peace Artists · Top Ten Literary and Art Models”, and was awarded by Yihai Culture Group, China Literature and Art Competition Organizing Committee, etc.
On September 18, 2021, it was included in the “Top Ten Famous Artists Collection of Chinese Role Models · Calligraphy and Painting Style in the Centennial of the Founding of the Communist Party of China” and invited by China News Press.
On September 20, 2021, it was awarded the “Olympic World Cultural Communication Award”, jointly awarded by the Olympic World Cultural Communication Award judging committee and UNESCO.
At the end of September 2021, he was awarded the “United Nations Intangible Cultural Heritage Contribution Award” and was awarded the honorary titles of “United Nations Intangible Cultural Heritage Inheritor” and “United Nations Intangible Cultural Heritage Art Communication Ambassador”, which were awarded by the United Nations.
On September 29, 2021, we sincerely invited you to be included in the compilation of “The Eight Great Masters of Chinese Literature and Art”, which was awarded by the World Chinese Art Association.
On October 8, 2021, he was awarded the honorary title of “World Contemporary Peak Artist” and was included in the “Emotional Winter Olympics – World Contemporary Peak Artist”.
In October 2021, it was awarded the honorary title of the “First Chinese Literature and Art Peony Award” and was awarded by the Chinese Culture and Art Masters Network.
我的艺术观点
祝光鸿
艺术源于生活，是时代的花朵、时代的结晶；不同时代的艺术，有不同的艺术价值。她无统一的标准、模式，只要能反映时代生活、促人向上、受人民群众青睐的文学艺术都是好作品。
人类生活犹如茫茫大海，时代花朵千紫万红，异彩纷飞，这就需要我们的艺术家、文学家深入生活接受教育和陶冶，汲取精华、概括生活内涵，才能描绘抒写出反映时代的好作品。
“密不通风，疏可走马”、“注意画面留白”、“挫落”、“虚虚实实”、“浓淡有匀”……等教学述语，是绘画者熟耳的语言。但是怎样“密”？如何“疏”？又怎样“留白”、“挫落”？至今没有解答结论，还是要绘画者在创作中去摸索、看看画画……我经过几十年的绘画创作体会到：其实还是写作知识。所谓“密”，就是对表现画面中心部分（中心段）应该画仔细，绘周全，达到中心画面突出；对陪衬部分的画面，要色淡，稀少，“疏”、“虚”，防止画面喧宾夺主；对画面中的远近、浓淡层次间的部位“多留白”画云，有利于整个画面承上启下，远近层次统一，引人寻味联想。为了达到更好的视觉效果，再从整体画面着手去“挫落”修整。
一个成熟人的气质风度、思想境界是由他（她）的生活经历、文化修养和基因个性组合而成的。不能一朝一夕学会，也不能强装做作。艺术家在完成创作作品中用词、写句，用笔运墨中离不开自我的思想境界、观点，所谓“诗言志”、“墨迹显人性”的流露。同时在创作中，从安排绘画素材、处理画面布局、详略素材搭配及技巧等基本技能，都需作者的组织能力、概括能力、文学修养等写作技能。可见文艺工作者具备一定的思想精神与文化素质的重要。文学修养不仅是人为修养的基础，也是一切文艺工作者从事文艺创作的基础，需要重视文学学习。
伟大的文艺家贺绿汀说得好：“任何艺术，脱离了自己的民族，便是没出息的；民族的，才是世界的。”因此对中国画的改革应该坚持继承传统基因技能前提下，吸取现代生活内容，实行改革探索。教育者教人要先教做人，传授艺术要先传授人品。引导学生深入生活，向人民大众学习，努力克服“文人相轻，同行必妒”的封建恶习。才能广泛团结广大同仁，为实现中华民族文化复兴“中国梦”共同奋斗。
Art originates from life and is the flower and crystallization of the times; Art from different eras has different artistic values. She has no unified standards or models, as long as literature and art that can reflect the life of the times, promote progress, and be favored by the people are all good works.
Human life is like a vast sea, with colorful flowers of the times. This requires our artists and writers to go deep into life, receive education and edification, absorb essence, and summarize the connotation of life in order to describe and express good works reflecting the times.
Teaching narratives such as “close and unobstructed, sparse and easy to walk”, “pay attention to blank space in the picture”, “setback”, “virtual and solid”, “uniform intensity”, etc. are familiar language to painters. But how to be ‘secret’? How to ‘sparse’? How about “leaving blank” and “falling”? So far, there is no answer to the conclusion. It is still necessary for painters to explore and look at painting in their creations… After decades of painting creation, I have come to realize that it is actually writing knowledge. The so-called “secret” means that the central part (central section) of the performance screen should be carefully and thoroughly drawn to achieve the prominence of the central screen; For the accompanying parts of the screen, the color should be light, sparse, “sparse”, “empty”, to prevent the screen from dominating; By leaving more white space between the distant and distant layers in the picture, it is beneficial for the entire picture to connect the preceding and the following, unify the distant and near layers, and evoke thought-provoking associations. In order to achieve better visual effects, we need to start with the overall image and “flatten” it.
The temperament, demeanor, and ideological realm of a mature person are formed by the combination of their life experience, cultural cultivation, and genetic personality. You cannot learn it overnight, nor can you pretend to be artificial. Artists use words, sentences, and ink to create their works, which cannot be separated from their own ideological realm and viewpoints. The so-called “poetry expresses aspirations” and “ink reveals human nature” are revealed. At the same time, in the process of creation, basic skills such as arranging painting materials, processing screen layout, detailed material matching, and techniques all require the author’s organizational ability, generalization ability, literary cultivation, and other writing skills. It can be seen that it is important for literary and artistic workers to possess a certain level of ideological and cultural qualities. Literary cultivation is not only the foundation of human cultivation, but also the foundation for all literary and artistic workers to engage in literary creation. It is necessary to attach importance to literary learning.
The great literary and artistic master He Luting once said, “Any art that is separated from its own nation is unproductive; what belongs to the nation is the world.” Therefore, the reform of Chinese painting should adhere to the premise of inheriting traditional genetic skills, absorbing modern life content, and implementing reform exploration. Educators should first teach people how to be human, and when imparting art, they should first impart character. Guide students to delve deeper into daily life, learn from the people, and strive to overcome the feudal evil habit of “literati belittle each other, and colleagues will envy each other”. Only then can we widely unite our colleagues and work together to achieve the “Chinese Dream” of cultural rejuvenation of the Chinese nation.
