齐光宏，男，字泽普，号三忘道人，又号三忘居主。1956 年出 生，祖籍陕西省，汉中市，汉台区，中共党员，大专文化。现为中国 东方文化研究会书法研究员，中国艺术巅峰人物，中外书画交流形象大使三大代表人物，新中文化交流特使，2022 年入选由新加坡出版社发行的世界艺术年鉴近代世界百年大师经典作品集，同时荣获国际 艺术家功勋荣誉称号。中国网络资讯台艺术频道顾问，北京环球书画 院特聘艺术顾问，民族品牌艺术家，中国美术家协会敦煌创作中心创作委员，陕西省书法家协会会员，一级书画师。
1972 年开始学习书法，并潜心研习儒释道，试图从中国文化的 主干上去寻找书法艺术的真谛。曾请教多位前辈名家，修心悟道，深 刻的领会到书法就是心画，临池可以长功。读书可以明智，静心可以 生慧。修身方能脱俗。先后为 20 余家商家企业写过匾额，2019 年8 月参加由中国网络资讯台艺术频道举办的首届中国顶级书画大师大 赛作品获特等奖，在全球巡展一副作品被意大利国家博物馆收藏，在 2020 年 3 月参加防控疫情·众志成城—艺术家在行动网络展中，被 中国文化和旅游部授予“艺术界抗疫英雄 ”荣誉称号，2020 年 7月 作品在人民大会堂展览，被中国文化和旅游部和中国艺术发展改革委 员会授予“2020 中华艺术功勋人物 ”称号。作品还被中国国家博物 馆等多家博物馆及政府机构参展单位的国内外友人收藏，并在中国书 画报，书法导报等专业报纸上发表，还被专栏记者采访报道，部分作品到国外展览，并被编入多部书画艺术作品集。
Qi Guanghong, male, styled Zepu, also known as San Forget Taoist and San Forget Juzhu. Born in 1956, with ancestral roots in Hanzhong City, Hantai District, Shaanxi Province, China, a member of the Communist Party of China, with a college education background. I am currently a calligraphy researcher at the China Oriental Culture Research Association, a peak figure in Chinese art, an ambassador for the exchange of Chinese and foreign calligraphy and painting, and a special envoy for cultural exchange between China and New Zealand. In 2022, I was selected for the World Art Yearbook Modern World Centennial Masters Classic Works Collection published by Singapore Publishing House, and was also honored with the title of International Artist Merit. Consultant for China Network Information Channel Art Channel, specially appointed art consultant for Beijing Global Calligraphy and Painting Academy, ethnic brand artist, creative committee member of Dunhuang Creation Center of China Artists Association, member of Shaanxi Calligraphers Association, first-class calligrapher and painter.
I started learning calligraphy in 1972 and devoted myself to studying Confucianism, Buddhism, and Taoism, attempting to find the true essence of calligraphy art from the backbone of Chinese culture. I have consulted many predecessors and masters to cultivate the mind and comprehend the Tao. I deeply understand that calligraphy is like painting the mind, and Linchi can achieve great success. Reading can be wise, and meditation can lead to wisdom. Only by cultivating oneself can one break free from vulgarity. I have written plaques for more than 20 businesses and enterprises. In August 2019, I participated in the first China Top Calligraphy and Painting Masters Competition organized by the Art Channel of China Network Information Channel and won a special prize. During a global tour, my work was collected by the National Museum of Italy. In March 2020, I participated in the Epidemic Prevention and Control · Unity – Artists in Action Network Exhibition and was awarded the honorary title of “Anti Epidemic Hero in the Art World” by the Ministry of Culture and Tourism of China, In July 2020, the work was exhibited at the Great Hall of the People and was awarded the title of “2020 Chinese Art Meritorious Figure” by the Ministry of Culture and Tourism of China and the China Arts Development and Reform Commission. The works have also been collected by domestic and foreign friends from multiple museums and government agencies such as the National Museum of China, and have been published in professional newspapers such as China Calligraphy and Painting Daily and Calligraphy Guide. They have also been interviewed and reported by columnists, and some of their works have been exhibited abroad and included in multiple collections of calligraphy and painting art works.
笔里有墨写风骨 独树一帜作文章
——记著名书法家齐光宏
书法艺术经过五千年时光荏苒，形成了“传承 ”与“创新 ”的双 重力量。书法习成如果没有传承，则是师出无门的江湖体。书法创作 如果不能创新，则是拘于旧法的书奴。当代著名书法家齐光宏的书法 作品，之所以取得了大著其名，惊艳国内外的非凡成就，其主旨在于 他秉持传承与创新的双重力量，写出了借古开今的文化魅力。其作品 不仅有雅俗共赏的审美属性，还在国内外许多艺术机构得到收藏。这样的书法家，这样的书法作品，当然是当代书法文化的中流砥柱！
说到书法的传承，齐光宏是一位扎扎实实的碑帖研究者。他诸书 皆成，博涉多优，从历练碑帖中一一解锁书道秘籍，写得五体完美， 样样精通，起笔落笔可以写下一手金书锦字。穷研篆籀，写泰山碑的 正大气象。汲取隶碑，写下大汉笔墨的丰姿多神。楷书致力习成唐楷 的颜筋柳骨，努笔直作曲势，勒笔急去缓加。侧笔飞仪动感，啄笔快 利洒脱。最令人称道的是，他可以一划之间变起伏于锋杪，能够一点 之内殊衄挫于毫芒，写下飘风骤雨惊竦竦，落花飞雪何茫茫的行草佳作，挂在大堂雅舍，必然是蓬荜生辉。齐光宏先生的行草作品，正是当代书坛一道亮丽的风景，看这样的书法作品可以游目骋怀，足以极视听之愉！
赵子昂论书法，有言曰用笔千古不易！齐光宏先生琢磨书道，深 谙此论，他执笔在手，运笔在心，笔里寓情，墨里作赋，把笔法历练 的炉火纯青，横如布阵排云，牵似万岁枯藤。以锥划沙、屋漏痕的笔 力，写下行草壮士拔山伸劲铁的精气神，亦有类万物之象的气韵生动。 用相当有控制力的艺术意念，凌空杀纸，写一件件书法艺术审美的琼 花玉蕊，亦是可以珍重收藏的和璧隋珠。他的书法兼有文化与收藏的双重价值，专业影响力与价值号召力都是令人万分折服的崇高段位。
笔里有墨写风骨，独树一帜作文章。自古书法瘦硬有精神，这是 传承。在瘦硬的笔墨精神里，再融进苍茫浑厚的独家气象，这就是齐 光宏的书法作品不同质于其他，走出自我之路径的重要支撑。他以碑 学立风骨，以帖学作风度，在笔笔劲道，字字浑然的书法空间里，打 出了自己的艺术标签，与众不同，孤标尘外。写着以书抒情的痛快， 体验着放手写心的洒脱，非常好的引导着当代书法既有传统内涵，又 有创新张力的正大路径，所以他的书法修养可以令书道渊妙代不绝人，古今相续！
著名书画评论家 史峰 2023 年 2 月 17 日
With ink in the pen, write a unique and distinctive article
——On the Famous Calligrapher Qi Guanghong
After five thousand years, calligraphy art has formed a dual force of “inheritance” and “innovation”. If calligraphy is not inherited, it is a martial arts style that has no way of being learned. If calligraphy creation cannot be innovative, it is a slave to the old method of calligraphy. The calligraphy works of contemporary renowned calligrapher Qi Guanghong have achieved remarkable success both domestically and internationally, thanks to his dual power of inheritance and innovation, and his portrayal of the cultural charm of borrowing from the past to open up the present. His works not only have the aesthetic attributes of being both refined and popular, but also have been collected by many art institutions both domestically and internationally. Such a calligrapher, such calligraphy works, of course, are the backbone of contemporary calligraphy culture!
When it comes to the inheritance of calligraphy, Qi Guanghong is a solid researcher of inscriptions. He has completed all his books, covering a wide range of excellent topics. He has unlocked the secret books of the martial arts from his experience inscriptions one by one, and has written perfectly in all aspects. He is proficient in everything, and can write a hand full of golden calligraphy and brocade characters when starting and finishing. Poor research seal, write Mount Taishan monument’s grand weather. Draw from the Li stele and write down the rich and vivid strokes of the Han Dynasty. Kaishu is dedicated to cultivating the facial muscles and willow bones of Tang Kai, with a straight and composed style, and a sharp and slow brush. The side pen flying instrument is dynamic, and the pecking pen is quick, sharp, and free. The most commendable thing is that he can become undulating on the edge with just one stroke, able to experience setbacks within a little bit, and write about the stunning scenery of wind and rain, falling flowers and flying snow, and the vast expanse of grass. Hanging in the elegant hall, it is bound to shine brightly. Mr. Qi Guanghong’s cursive works are a beautiful scenery in the contemporary calligraphy world. Watching such calligraphy works can bring great visual and auditory pleasure!
Zhao Ziang discussed calligraphy, and there is a saying that using a pen is never easy! Mr. Qi Guanghong pondered the art of calligraphy and was well versed in this theory. He held his pen in his hand, moved it in his heart, conveyed emotions in his brush, and wrote essays in his ink. He honed his brushstrokes to perfection, like arranging a formation and clouds horizontally, and pulling it like a withered vine for eternity. With the pen power of using a cone to draw sand and house leakage marks, it vividly portrays the essence and spirit of the brave grass warrior pulling mountains and stretching iron, as well as the imagery of all things. Using a highly controlled artistic concept, killing paper in the air, writing pieces of calligraphy art aesthetic Qionghua Yurui, is also a precious collection of precious Sui pearls. His calligraphy has a dual value of culture and collection, and his professional influence and value appeal are both admirable and noble.
In the pen, there is ink to write about one’s style and unique writing. Since ancient times, calligraphy has been thin, hard, and full of spirit, which is a tradition. In the spirit of thin and hard brushstrokes, combined with the exclusive atmosphere of vastness and richness, this is the important support for Qi Guanghong’s calligraphy works to stand out from others and walk out of his own path. He established his character through the study of steles, and his demeanor through the study of calligraphy. In the calligraphy space where his brushstrokes were vigorous and his words were clear, he put his own artistic label, which was unique and isolated from the dust. Writing with the pleasure of expressing emotions through books, experiencing the carefree and carefree spirit of letting go and writing the heart, it guides contemporary calligraphy to have both traditional connotations and innovative tension in a positive path. Therefore, his calligraphy cultivation can make the art of calligraphy profound and brilliant, lasting for generations, continuing from ancient to modern times!
Famous Calligraphy and Painting Critic Shi Feng February 17, 2023
